The controversial reopening of the Russian Pavilion at the Venice Biennale, justified under the pretext of dialogue, legitimised the Russian state’s weaponisation of culture – a practice rooted in Tsarist imperialism.
Pushkin and Putin
The controversial reopening of the Russian Pavilion at the Venice Biennale, justified under the pretext of dialogue, legitimised the Russian state’s weaponisation of culture – a practice rooted in Tsarist imperialism.